Life in General

The Most Beautiful People.

 

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One of my friends with a kitten.

 

Yesterday I watched a short clip of Dustin Hoffman speaking at AFI about the making of Tootsie. He told the story of asking the movie studio to do makeup tests before they got into production, he said that if he couldn’t look acceptably like a woman, there was no point in making the movie. So they did, and he saw the result, and it was acceptable. Then he went back and said, “Okay, now make me a beautiful woman,” because he thought that was important. If he was going to be a woman, he needed to be physically attractive, right?  The answer was, “That’s as beautiful as you get.” 

And he began to cry, because, as he explained, he realized that he had discounted unattractive women for years, because of some social stereotype that being good-looking makes women valuable, and he knew that he had missed out on a huge portion of love, knowledge, and human connection. 

While this is a wonderful story—and yet another crystal clear example of how we should always put ourselves in another’s shoes before we judge them—it doesn’t just apply to women. 

It applies to anyone that you discount for physical, racial, or sociological reasons. They are not the ones who are lacking. 

Here’s something I learned long ago. Everyone knows something you don’t know. If you will only get past your pre-concieved idea of someone, you will find out that there is more to them than you expected. 

When I was a teenager, one of my best friends had a father who had gone down in a fighter plane in WW2, he was so badly burned that his comrades left him for dead and he laid there for 3 days before a rescue team got to him. The result was that when I knew him, many years later, he had no face. Or rather, his face was scar tissue, with slits for nostrils and the rutted, pore-less skin of a reptile. 

And he was one of the most wonderful people I ever met. Larry Clayton. He was gentle, smart, funny and entertaining. He had lived through so much, given his very identity to defend not only his country, but people who were suffering that he would never meet. He would do anything to help someone out. I’m glad and proud that I knew him and called him a friend. 

How could anyone judge him badly? Yet in our youth and beauty society, it was only his remarkable spirit that kept him from being shunned and ignored. Would you stop to have a conversation with someone who was initially hard to look at? Would you fear your own reaction? 

There are so many children I’ve met through the work with my charity, The Desi Geestman Foundation, who go through terrible physical trials, not the least of which is often the loss of their ‘cuteness’ or attractiveness. This is hardest on the teens, of course. I’ve met charming kids with bald heads riddled with tumors, three year olds whose faces are swollen and covered with fine black hair from the steroids, and quite a few who have lost limbs or even facial features. And I have seen the amazing beauty in them all and been blessed to know every one of them.

I talk a lot about perspective, because I think it colors and changes everything. My friend Paul, who I knew from age 9, when he was diagnosed with bone cancer and lost his left arm, until he died just after his 18th birthday, was the best hugger I ever knew. The last thing the charity did for Paul was to send him with some friends up to Big Bear, because he had never seen the snow, and we knew he didn’t have much longer on this earth. That was our final gift to him and his family. 

Paul had the voice of an angel and we were honored to have him sing at a few of our black tie fundraiser events. To see this cancer- plagued, bald 12 year old with one arm belting out “You are the wind beneath my wings” is a treasured memory that leaves me in tears even as I write this. I will never forget him, or the faces of his pallbearers, all of them were 18 or younger. I know that the lives of his friends who knew and loved Paul through it all are forever changed, they will never be young men and women who judge others by their physical appearance the way most teenagers would. 

That was Paul’s final gift to them. 

It’s a horrible way to learn a crucial lesson, and some small part of me believes that those kids came into our lives to show us what is important. That we don’t control everything, that life and death are neither to be feared. 

It’s those special and courageous people who inspired me to write “Invisible Ellen.” That’s why I think the story of a lost human, ignored and unobserved by society, is important. More than important. Their eviction from society is a loss of spirit and life, of talent and goodness, of potential for friendship, learning and connection that is wasted, not by those who are classified as “different’ or ‘unattractive’ but by those of us who limit our relationships to what is comfortable. We learn so little by embracing only what we know. 

I’ve had quite a few difficult life lessons, and I’m grateful for them all. Of course, I would much rather that Larry hadn’t been so horribly disfigured, or that Paul and the other children never had cancer, but they did, and they do, and I shall not judge the outward effects of their fates, I choose to see the spirit within. 

So, I know this isn’t the happiest blog, but I guess what I’m saying is this—the next time you see someone who is not a person you would go camping with, let’s say, challenge yourself to look them in the eye, to see the person beneath who is just surviving and living like the rest of us, and smile and say hello. Maybe ask how their day is going. And I promise you this. Soon, you will not have to challenge yourself anymore, you will realize that we are all different, we all have struggles, pain and faults, we all have so much to give, we just come in different forms. 

You might learn something you didn’t know, you might even let go of some irrational fear. Freedom is wonderful thing. 

You might even make a friend. 

With love and respect, 

Shari, July 10th, 2013

Acting & Experiences, Life in General, mental illness

The Now on which the Shadow Stands.

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Loving life…all of it!!

This is one of my favorite quotations. As far as I  know the author is anonymous, and this poem is inscribed on the base of a sun dial at a University.

The shadow by my finger cast
Divides the future from the past:
Before it, sleeps the unborn hour, 
In darkness, and beyond thy power.
Behind its unreturning line, 
The vanished hour, no longer thine:
One hour alone is in thy hands,-
The NOW on which the shadow stands.

The reason I’m sharing this today is that I’ve had a sort of time warp jump illustrated to me in my life, perhaps in a way, a very external one, that few people will experience.

It’s been over ten years since I’ve done a film or TV. I have no regrets.  I’m so glad I took the time to be with my girls, and there’s no question that the theatre I did in that time has made me twice the actress I was before, but what an interesting thing to see myself on film again with a decade jump.

Now, forty to fifty is a big leap, and Scream at the Devil is far from a Vanity piece. You don’t play a woman tortured by schizophrenia with full make up and fake eyelashes. Not if you want any kind of reality, and I certainly did. Actually, I’m fifty-two now, so call it a dozen years. And I look different. I’m in good shape, but I have cellulite, and a few more pounds. I have the same cheekbones, but the skin is a big looser around my mouth. My eyes crinkle when I smile, and let’s face it, extreme emotion is seldom physically flattering.

And I’m all right with that. Of course, editing is a strange process, you can, and often have to, change the tempo of scenes, choose shots that make the scene work or fit into the other actor’s improvised lines, it’s not anything like choosing the best still photos from your vacation or head shot shoot. What I’m hoping for here is a performance that moves those who see it, and that honors the suffering of those affected by crushing mental illness and chemical imbalance.

I know, though I don’t care all that much, that people will judge my appearance in this film, and compare it to my much younger self. Why? I don’t know. I suppose as actors and performers and even as a people, we have allowed judgement of physicality and age to so infect our perceptions that even the judged have bought into it.

Big mistake. And here’s why. I don’t care how young you are, how beautiful, how sexy, or how much you place your self-value in those traits, you will age. And I wish for you the same joy in it that I have found.

I’ve never been happier, or felt more beautiful. It makes me so sad when I see women who are in their fifties still trying to sell themselves as ‘sexy.’ Not that they aren’t, of course, they are, but it’s a different sexy, it’s a confident, feeling sexual and contented on the inside instead of counting on others feeling that you are what you want to be.

Does that make sense? Once when I was in an intensive scene study class, a very attractive blonde young actress was struggling to do a scene from “Cat on a Hot Tin Roof,” and the coach was trying to get her to embrace Maggie’s sultry, seething sexuality, but she just coudn’t. Finally I said, “I can help her!”

David, the coach, looked at me and said, “Fine, Shari Shattuck wants to tell someone how to play sexy. Please, yes, be my guest.”

Instead of speaking up in front of everyone, I left my seat, went down to the stage and whispered in her ear, “It’s not about ‘acting’ sexy, it’s about feeling turned on, feeling sexual.”

She nodded, started the scene again and virtually slithered over furniture and the actor playing Brick like a cat in heat.

David turned to me and said, “What the f*ck did you say?”

I just winked at the actress and said, “It’s a secret.”

But it’s not, or it shouldn’t be. Ladies, gentlemen, embrace your age, be the best you can be, and smile at the fact that the twenty-somethings will get more attention than you. That’s okay, it’s a relief really, to stop being thrown into the arena of physical competition. Don’t let anyone do that to you anymore, and don’t, please, I’m begging you, do it to yourself.

I’m very excited about my life now. I’m calmer and happier, and more fulfilled and focused than ever before. I have as much, maybe more energy than I did in my twenties, I am so much better at dividing my time and knowing what I want and who I want to spend my time with. What a gift!

Take that gift, reach out and grab it. Unwrap it and smile and rejoice. The gift of now, the culmination of all your work, realizations, epiphanies, emotional growth, and wisdom.

Who could ask for anything more?

With love and contentment,

Shari. June 30th, 2013.

Life in General

Cities of Lace and Glass.

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The colorful island of Burano, where the world’s most beautiful lace is still made by hand.

 

 

Though I have visited both islands many times, today was the first time I’ve visited the museums on Murano and Burano, two unique places that share the lagoon surrounding Venice.

On Murano, which has produced some of the world’s most fabulous glass, the Museo de Vetri, (glass) works in chronological order. The first room holds glass from the ancient Romans. I was immediately arrested by a large, thin, clear vessel, maybe twenty four inches high, bulbous and tinted with clear blue marbling, which read on the small card, “dal I secolo.”

From the first century.

That’s a year that doesn’t even have a one in front of it, our century has a twenty begins with a twenty.  

That’s a piece of glass twenty centuries old, my friends. Twenty times one hundred years, this delicate, hand-blown piece of glass has survived, intact. Our country is two centuries old, this fragile, graceful pitcher has survived ten times as long as the United States of America, which we think of as so solid, so superior, so unbreakable.

Later, on Burano, we saw lace as old as five hundred years, incredibly intricate, woven of silk-thin fiber into patterns of birds and flowers, angels and demons, saints and martyrs. Still, in the light from a window, old women sit and work, twisting fibers so frail into art with infinite patience that will soon be beyond the skill of those who will come after them.

I was stunned by the honor of standing witness to these precious things. Speechless that these objects, so seemingly fragile and delicate, crafted by hands and eyes that died so many generations ago, could still be seen by my living eyes today, things you thought too frail to imagine surviving even a lifetime, have persevered for millennia.

Yet, sometimes it’s the way of the world. That which we consider the most fragile is in fact, stronger than we know, capable of weathering the most inconceivable tests of time.

Just like life. For often the most delicate of things are the most enduring—love, innocence, hope, these things continue in spite of all the cruelty, bullying, the crushing blows dealt by ignorance and violence, brutality and indifference.

A lasting relationship is not so different from that lace, it is woven of so many threads, every smile, wink, every individual glance of compassion representing one of those threads. Sometimes, when handled by the unskilled or the unknowing, they grow tangled, knotted and gnarled beyond repair, but sometimes with care, attention, and infinite patience, they can be unsnarled, and still other times even the mistakes can make a beautiful pattern, a new, yet enduring one.

And our years on this planet are not so different from that glass. How long we have is as uncertain as the strength of that melted sand, shaped in fire, and molded by intent.

As for the glass, and the lace, they will one day crumble, be crushed or dissolved. The cities that treasure them will be drowned, the world will change, life will evolve or pass out of existence.  That too is not so different from us, we are after all, all part of the great evolution. We shall die, turn to dust, be forgotten, everything passes, people, buildings, countries, even stars burn out.

But maybe, just maybe, those threads of connection, those reflections of real emotion will endure, spinning a lace of fineness in a universe of unimaginable grandeur, sparkling with the reflections of all that was good.

A museum of us, of our lives, of every tender moment in humanity and of all that was good in the universe.

A Museum of Eternity.

At least, I hope so. Perhaps, if we knit the thought together and put it under glass, it will be so. 

Shari, February 28, 2013

Life in General

The Incredible Beauty of Age.

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My husband Joseph and I were on the Grand Canal in Venice watching the palazzos slide by and I commented that it would have been remarkable to have seen it in it’s youth, when the buildings were covered in frescos and mosaics of gold and brilliant color glinted in the sunlight.

And he smiled gently and said, “It’s remarkably beautiful now.”

He’s right of course. Spending time in a different culture is beneficial in so many ways, the food, the history, the art, the language, all of these fill me with a sense of hugeness, and of the rapid passage of time. The diversity and unfamiliarity offer a sense of perspective that what we value in one small part of the world can often be incidental, or even distasteful, in another. This is important to realize and crucial to remember.

Even the faces here are different. One thing I noticed right away was the handsomeness of the elderly, especially the couples. There is a distinct difference in what is considered valuable here, and as a result, I have not once seen a woman who has destroyed her identity with plastic surgery.

People age here, and they do it gracefully. It would appear that they spend their lives living, experiencing what life has to offer with relish. What a wonderful reminder for me at 52, I have always preferred looking my age to looking desperate to be younger, it has always made me sad to see the artificiality that our society so often deems attractive. Of course, I live in Los Angeles, the city of surfaces. 

Don’t get me wrong, I’m not saying don’t take care of yourself, for goodness sake, wax that hair or have that mole removed, or maybe get a small tuck if something bothers you. Many of the older women here in Venice wear subtle makeup and dress exquisitely.  They look their age, and their best. I have several friends back in the states who have had ‘work’ done that makes them looks as though they just had a restful vacation. That’s not what I’m talking about, I’m referring to abusing the knife until the individuality is lost. In my humble opinion, it does not improve their appearance, only neuters it.

I’m not judging other’s choices or actions, to each their own. I color the gray out of my hair, because it isn’t flattering to my skin, but I’m looking forward to it arriving at a tone I can leave. I use creams and lotions and in a few years I may have my loosening jaw tightened, not because I want to look younger, but because I think being jowly makes me look mean, and if there is a way I want to look, it is kind.

The wrinkles can stay, I don’t mind them. In fact, I not only like them, I earned them. And for anyone to tell me that the results of the laughter and suffering in my life, the wind on my face as I walked in nature’s beauty or the storms I have braved for adventure, have made me ugly, shows that it is not my skin that is unattractive, but their superficial insecurity. I would not trade those experiences for any amount of beauty. 

How frustrating it must be to feel that you should look decades younger than you are. How positively awful to judge yourself by what someone shallow enough to place your value there would think, or for that matter, what anyone but you would think. And shame on anyone who judges only the outside, they are missing all that is important. 

I have, as they say in Italian, five decades, in a blink I will have six, and if I’m lucky, seven and then even maybe, eight.

And I want to look beautiful—and eighty. I want my eyes to shine as the crinkles radiate from them and my smile to deepen my laugh lines until the story of my extraordinary life is written on my face. No one but me will have my unique memories, will have seen and felt the experiences I have had. That is precious to me.

They have a saying here in Italy, “If you are fortunate, you will get old” It doesn’t matter what you do to try to hide it, you will age. Why not appreciate the value and beauty of that? When did we forget to honor age and the passage of years? To see it as something magnificent in itself? 

I will look at this ancient city and see the crumbling walls and the fading frescoes and listen to the secrets that they whisper and see the magnificence that stands, more graceful and vibrant for the time that has brushed them, and I will feel overwhelmed with life, with death, with the beauty of centuries, of ages, past and present.

Venerable Venice, it is always the same for me, I am awed. And the millennium that have passed over and through it make me smile with my heart.

We are not so different, after all. I will grow old, and I’m content with that. And I know that my husband will never look at me and say, how beautiful I was, wishing that he could see me then, he will smile softly at my old face and say, “You are amazingly beautiful now.”

And he will mean it.

Amore da Venezia

Shari, February 24, 2013

Life in General

Return to Venice

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How lovely to be back in our favorite city, and for a month. I have been many times, and I still get lost.

Just like life, you think you know now how to handle mistakes, rude people, even the psychopaths you deal with regularly, yet each time, you find yourself thrown off and disoriented when faced with the twisting paths of territory that is, not necessarily unfamiliar, not even unexpected, but somehow still surprising. You can know that a city is twisted, that a person is unreasonable, that a reaction is absurd, but they are what they are.

And yet, along the way, we find beauty, affection, and real connection and you draw enough strength from those to suffer the random insanity. On this adventure we are staying in an apartment on the top floor of a 16th century palazzo. I find that amazing. To be in a place that was built for a single family over 400 years ago. The view from every window is remarkable, historic, and awe inspiring. And I feel so honored to have this opportunity.

A large part of my heritage is Italian, and the food, the laughter, the passion—and the aggressive driving—are in my blood. They might not have cars in Venice, but on the way into the city on the water taxi, our driver was on a mission to beat out the other boats, my daughter, whose humor always warms my heart, turned to me and said dryly, “He drives like an Italian.”

Which he was. Which I am, though tempered with a good portion of British blue blood. We have been here only one full day and already we have connected with so many good people. There are no elevators here, of course. And our apartment is on the fourth floor, many wide marble steps, interspersed with magnificent mosaics on landings, mark our pathway home. An older gentleman occupies the only other top floor apartment and we arrived home as he was bringing his groceries up. Not having known he was going all the way up, when he arrived after us, I said, in italian, “I’m sorry, I should have helped you.” Then joked, “Troppi scale!” which means, “There are too many stairs!”

He looked at me with a bright eye and a yellow toothed smile and said with a laugh. “Troppi anni!”

Too many years.

Ah, the heart of the Italians. To have spent your life in a city of ancient and immortal beauty.

And an inimitable sense of humor, a love of laughter and life.

You cannot have too many years.

Con amori da Venzia,

Shari, February 18, 2013