Life in General

Speaking Second

With my two new friends and Ozzie, the LCFOG mascot!
With my two new friends and Ozzie, the LCFOG mascot!

A few days ago, I spoke at a fundraising luncheon for the La Canada Flintridge Orthopedic Guild. About three hundred or so people attended. It was lovely. Before my little ramblings, they played a short video that introduced our guests of honor. The video told the story of two young girls, both of them albinos, who lived in Tanzania. In some places in Africa, albinos are considered to have magical properties and they are hunted for their body parts.

Though the Guild raises money for a hospital here, they have branched out to help special kids worldwide. As they explained this in the video, they showed how these innocent young girls had lost their parents, and the younger had had her leg chopped off with a machete, and then left to bleed to death. Her older sister helped her, and she survived, but not with adequate medical care or a prothesis, (artificial limb) that worked for her.

So this incredible group flew them both over and provided the care and rehabilitation that they needed. Months of planning and giving and work went into this enterprise, I was awed by the commitment of this group. They have done so much and helped so many people.

Enter me, to their upscale ladies’ charity luncheon. After the short video, which left me in weeping, they brought the girls up. They are sixteen and fifteen, but so very much more childlike than the precocious mall-shopping teenagers most of us are familiar with. Very shyly, standing straight and proud on her new prothesis, the younger girl gave her thanks for all that had been done for her, and her older sister asked to sing a song she had written about their experience.

I don’t remember all the words, but the first verse was about realizing her mother was dead, and the refrain went, “And I cry and I cry, and I shout and I shout, I’m so tired of all the killing.” It was amazing, she sang it with no accompaniment and it was heartrendingly beautiful and moving. And then it was my turn to get up and speak.

The Chairman introduced me  as I was still drying my eyes and trying to clear my throat. I took the mike, walked to the front of this group of charitable people, and said, “I’m supposed to follow that?”

I mean, come on! Haven’t you ever heard the old adage for actors, ‘never work with children or dogs’ because they steal the stage? How about two children who have overcome unbelievable odds just to survive? Who were still so kind and gentle and loving that I wanted to hug them and not stop. I had planned to talk about the courage of some of the families I work with in my charity, The Desi Geestman Foundation, but the stage was stolen by compassion, by innocence, by courage, and nothing I could have said about bravery and hardship would have meant more. That’s as it should be.

So I changed it up. I talked a bit about my book, about the character of Ellen and how in “Becoming Ellen” she realizes that it’s not enough to just come out of her shell and participate, she realizes that she must contribute to the whole to be whole, something all these people understood. I talked about how my mother, who was there, had raised me to be helpful and kind, and how I had passed those values on to my daughters who still accompany me to many of my charity’s events, including helping to decorate the wards for holidays and the annual PJ party, when they get to meet the kids. From this experience, they grew up knowing that people are people, no matter how they look or how ill they may be.

Then I moved on to discuss the changing landscape of my life now that my girls are growing up. I told them how my husband and I were discussing how integral the girls’ lives and education had been in our everyday lives. Now with one at college and the other one driving, I find myself with more time on my own. I told this crowd of beautifully dressed and graciously behaved men and women that one day, Joseph had looked at me and said, “What are we going to do when they’re gone baby?”

And I’d said, “We’re gonna’ make love in the kitchen.” I mean, I’ll miss the buggers on a day to day basis, sure, but there’s something to be said for getting some freedom back. I might even be able to write several hours uninterrupted...in a row! And I’ll have more time to help others, to do more for the community, to interact one on one with so many miraculous people in the world. They really are out there, and sometimes, they come to visit when you least expect it. Of all the roles we all play in our lives, there is always one that is the most basic and true.

No matter how many parts we take on, how many different jobs we find ourselves doing in our lives, it’s important not to forget the real one, to be you. For me that means lots of laughter, work, and hours of doing nothing other than searching for beauty. Sometimes I find it in the sky, sometimes in water, and very often, in the smile of a child who has suffered beyond belief, but who is not only happy, but grateful.

What more is there to say?

Love to you all.

Shari, November 1, 2015

Life in General, New Novels, Shakespeare

The Luxury of Editing.

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Hi Melissa, this one’s for you!!

We are the few, the proud, the writers. We write, we read back, we re-write, we edit, someone else edits, we re-write, some one copy-edits, we correct, we release our baby.

Yes, it’s a lot of work taking a book from inception to published page, but every time I get those manuscripts back from my various editors so marked up with red pen that they look like they have a bad rash, I have a similar train of thought. It goes something like this, “Oh my GOD!! It’s so much work! I’ll never get through this. Oh wait, maybe it’s not so bad, okay, I can fix that. I’ll insert here, delete there, change a few words, make a few corrections, fix the glaring hole in my plot, re-phrase some dialogue. Wow, lookie there, I’m done!” But no edit is complete until I drop to my knees and give thanks for my Macbook pro.

Imagine having to write with a typewriter and carbon-paper. Just think of having to retype every page on which there was a correction or a change. Or, going even further back, dipping a quill in ink and scratching out your manuscript on parchment by candle light. No wonder some books were so long-winded then, it was too much trouble to cut them! Now, we highlight sentences with a stroke of a finger, move paragraphs with a flick of the wrist, rearrange chapters and page breaks with a pudgy, chocolate-smeared thumb, and send our manuscripts flying through the air from our living rooms, without even having to dislodge our cats from our laps.

It’a brave new world. Though honestly, I think it took a lot more courage to pluck a goose feather from a large, angry, aquatic bird and make art with it. Shakespeare did it, sure, so did Marlowe, but I might have stuck with an easier profession, like, oh I don’t know, indentured serfdom, for example.

So here’s my editing process. Once I have the basic foundation of my book/plot. I start to write. Normally, I write a few pages a day, sometimes a chapter, depends on the length of the chapter. My Callaway Wilde books proceed at a frenzied pace, so the chapters are short and get shorter near the end as the pace builds. My new book, “Invisible Ellen” has more leisurely chapters, meandering along with her very unique thought process, it speaks more of her ‘watching the world go by’ life. Something always happens, mind you, I must forward the story in each chapter, it was grilled into me by my first editor a fabulous woman at Simon and Schuster named Amy Pierpont. Meandering and flowery descriptions be damned!

I do not edit as I go. I would never get anywhere. I compare this to life. Let’s say, for example, that you have a small run-in with someone in the carpool line at school, they insult you or disagree in a surprising and unpleasant way, you fumble through a reply, but it’s not what you wanted to say. Okay, that’s your scenario. It’s written down on the history/page of your day. On your way home, you edit. You think of all the things you could have said, the witty comeback, the insouciant non-chalance, the careless toss of the head, the unaffected, perfectly timed laugh. You are re-writing this in your head, and low and behold, you become the faultless heroine/hero you always knew you could be.

If only you’d thought of it the first time.

But we’re not all Shakespeare or Oscar Wilde. You can’t always perform perfectly the first time out. You have to get it out there first, on the page, or in your life. So, when writing, I do exactly that, I write, with mistakes. Then I put it away. Then the next day, the first thing I do is read back what I wrote the day before, making very minor changes as I go, things that won’t slow me down too much. I need to get a sense of the pace of what I was writing as well as the words and story. I might make a correction to glaring punctuation mistakes, or reinsert dropped words, sometimes I change up an overused adjective or make a judicious cut when the point has been made, and made, and made already. But only if I can do it quickly, big things I note, and return to later.

This puts me back in the flow of things, back in my character’s heads and the pace of my story. So I can start from where I left off and move forward to the next chapter. I do not ever stop and do a thorough line edit, not until I’m done with the first draft, it would break up my pace too much and the rhythm of the writing would become choppy and interrupted. Flow and pacing are very important. They keep a reader in your mood, your motif, your world.

Occasionally, I decide on a plot change, and then I will spend a day or two going back through the completed chapters making the necessary adjustments. That’s because I have to make those changes before I can move on.

I suppose we do this in life too. Hindsight, as they say, is 20-20. Too many people completely reinvent themselves without giving credit to the magnificent mistakes that got them where they are. Not me baby. I’ve got siblings. They will never let me forget that I almost wet my pants when my brother put a snake in my bed, that I fell down in front of 20 thousand people in a skating competition, that I was a cocaine addict when I was eighteen, that I was a bitch, oh, I could go on, but the list is so very, very long.

So books are our opportunity to correct ourselves, to say what we really wanted to say, to have the gift of a do-over, to inhabit a perfect world.

Deadlines aside, we’ve got all the time in the world to get it right.

And that, is not anything like life. We have a limited amount of time to get it right, to learn our lessons, to be kind, to be patient, to make choices that matter, so that in the end, we can look back and see not just the red marks, but the original beauty behind them.

So write your life today, re-read it tomorrow and see where you can improve it, make those changes, live a month, and look at the bigger picture, live a year and become a better person, live a lifetime and leave an epic.

And leave the red-marks. They are the places you took a chance, or you got tired and made a mistake. But most of all, they are the points where we were most human. Any dummy can screw up, but only someone willing to admit it can make it better.

So stick a red flag on my past, and look out for those sticky spots in the future, ’cause I’m not done messing up.

It’s how I learn.

Shari, October 26, 2012