America, art, beauty, children, Life in General

The Brilliance of Light on Snow.

Snow falls and swirls in puffs or icy shards, it smooths the surface of the world in a way that would seem to dim shapes and steal color. It makes everything look the same, dull and uniform.

But look again, each flake has the opalescent quality made of icicles, of water, of brilliant reflective facets that catch whatever light it meets. So when the sun, or the moon, or the streetlights strike the surface the glow of innumerable diamonds explodes in tiny bursts that combine and dance together, creating infinite patterns and motion. Blink and you will miss a unique fraction of a second.

That’s why Monet painted so many versions of Haystacks, effect of snow and sun. It’s probably my favorite painting in the Getty’s magnificent collection, and my daughters have always made fun of me for crying when I see it. But for me, it’s not just a haunting painting, it’s a miracle of light that this uniquely talented soul captured.

Ironically my girls get it now. They can spend more time studying art in a museum than I do. That didn’t happen accidentally, appreciation of all of forms of art, of true beauty, isn’t genetic, it doesn’t strike you out of the blue, you have to develop it.

That’s not to say you can tell someone what to love, once they are tuned into looking for what will fill their soul, it’s up to them to discover what that something is.

Joseph and I made it habit to routinely take the girls to visit museums, go to opera, plays, whatever opened them up. Owning and operating a Theatre, they obviously had to sit through a lot of Shakespeare, which they might not have loved as kids, but man did it help when they got to the part where they were studying or performing it at school. Just like taking them to visit Anne Frank’s house in Amsterdam made the Holocoust real to them. Experience moves and educates. The more you know about history, the more fascinating it is. The same is true for art.

They always enjoyed a day out at the museum in LA, and LA is blessed with several top notch examples. We did not have so much luck on long trips where we dragged them to church after museum after historic location. One trip we took to Washington DC when they were about 7 and 12 ended with them wrapping their sweatshirts around their eyes and sitting in a corner, refusing to look at one more painting or object.

I didn’t blame them, really. They’d been great sports about the rest of it. Trips to Italy, Holland, France, and other art havens were better received. My older daughter actually carried her little sister on her back around the Van Gogh museum in Amsterdam to get her to pay attention.

These days either one of them might spend far longer than I do perusing a favorite or a new museum. They found their own loves and interests, but would they if we hadn’t encouraged and supported it so much? Probably not, and the joy they would have missed frightens me.

I was chaperoning my younger daughter’s school trip to the Getty and having a hell of time getting the kids interested in much—and these are art-trained Waldorff kids! Finally I spotted something I thought they would find interesting. When I had been in Venice, I had seen a painting of the lagoon that I knew had been done in segments, as a door decoration I think. I remembered it specifically because of a flower stem that disappeared at the top of the frame. Years later, I saw a flower in the bottom of a frame of a painting of Venice’s lagoon at the Getty. So I asked.

Sure enough, this was the top panel of that same group of paintings, and they had a handout that showed them put together. So I grabbed the loudest boy, (if you can get them interested, you can usually wrangle the rest) and I pointed it out to him. My daughter was instantly able to say excitedly that she had seen the other painting in Venice. Next thing you know, they are calling their friends over and pointing it out. After that, they paid more attention to the little stories I told them about paintings and artists that added to the experience of just looking at pigment on canvas.

Mission accomplished.

The same, I think, is true in life’s behaviors. I have worked with or crossed paths with so many people that changed my life, perhaps not because of anything profound or earth-shattering, but simply because when I knew more about them, they opened my mind to beauty that I would never have seen.

We have been working with a 20 year old young man since we moved to Washington. He has come to help Joseph with building work, we pay him well, and feed him mightily. (Joseph and I call him ‘our big boy’ because I have to cook so much food for lunch and I always send him home with dinner.) He is always cheerful, grateful, and eager to learn all that Joseph teaches him. So far, he has developed a number of new skills and been able to get a better job as he’s working toward college.

Let’s get to know him better. He has two younger siblings, he lives in a trailer with no kitchen and two deserted kittens he found. When he was eight years old, his father went to prison. When he was 13 his mother went to prison. This remarkable thirteen year-old boy raised his siblings on his own with help from a few neighbors who would come over with meals when they could. His grandmother was technically their guardian, but she was seldom there.

Yet, this constantly smiling young man did well in school, had coaches in wrestling that got him to state competitions, and now he really wants to go to college and possibly join the reserves. And he still looks after his sibs. He recently thanked us for the days’ work because it would allow him to pick his 17 year old sister up from school and take her to do something for her birthday.

What do you think of him now? The colors are brighter, aren’t they?

Here’s what we think of him. He is deserving, he is cheerful and positive in the face of challenges most of us have never known. We will help him because we can. We are looking into paying for community college for him for a couple of years until he can hopefully transfer to the university he has always wanted to attend. Shhhh, it’s a secret, but I’m pretty sure he doesn’t know much about blogging, since he doesn’t have a computer.

Snow is heavy, and cold, and wet, and it blankets all the sharp edges beneath, sometimes making them even more dangerous. It hides mud and blood alike, it’s harder to move through and easier to resent.

But look again. Look at the light off that snow when the clouds break and you see it more clearly, even if only for a glimpse. Isn’t it beautiful?

Take a moment and learn something about someone else.

Their story is not yours, so don’t judge it as such.

Everyone knows something you don’t know.

Each person sees a different picture.

From a different angle.

What do you see?

 

Shari, February 10th, 2020

art, beauty, creative inspiration, Life in General

Overflowing.

There are times in your life when beauty shines undeniably around you, and there are times when you find it in something as simple as moss between stones. And then there are the times it flows up, spilling out of your very self, as though you become one with the magnificence of the world and humanity all around you. For me, that happens most often in Venice. I cannot tell you how many times a spongy joy has saturated my heart, rising up until tears have filled my eyes in the last three weeks. Everyday I have been inspired to work with a fervor that seldom comes this many sunrises in a row. And I have three more weeks to go.

The bounty of creativity and art here are impossible to deny, and why would you want to? I gaze at art in a museum or a church and feel ecstasy. I stand on the edge of the fondemente and from the soles of my feet, the silver blue of the Adriatic ebbs into me. I take a spill in a square, and the kind people rush to help me. I do not know the Italian word for ice skating, so I cannot explain to them that after years of training 8 hours a day, falling is a familiar feeling for me, but I smile and wipe my hands and tell them how kind they are,and how grateful I am for their concern, but it is nothing. I am laughing, “Niente, niente.” My tripping has given me their kindness as a gift.

Joy pervades everything here for me. A simple stroll through the ancient streets, the singing greetings of ‘Buon Giorno!’ from the shop keepers we’ve come to know, or even strangers, ring like the bells of the Cathedrals that are all around us. Time after time the simple awareness of where I am now mists the world around me as my chest is saturated with  love of the moment. A Madonna painted by Giacomo Bellini is so drenched in color and beauty I cannot speak for the brilliance of how much it moves me.

And here is what I have to say about that. When beauty brings you to tears—weep, sob, let the tears flow with all the love and connection of which we are capable, and that is infinite. It is not only here that I feel this, it is more a state of mind, it’s just that here, in this ancient place still so full of life and passion, those exposures are closer to the surface, more available, and more constant.

We choose what to see and do in life. Often, we choose what to feel about it. With every word you put out, every smile or scowl you give to another, you plant a seed.

Will you grow a flower? A vine? A magnificent oak? Or something dark and poisonous.

There is beauty in darkness too, I do not deny that. But it’s up to you to nurture your own soul, to know that the stars are still there even on the cloudiest midnight. It’s all there for you, embrace it, let it go, weep for the perfect bliss that is in it.

Take it in, and give it back.

Shari, February 3, 2016. Venice Italy.

 

 

 

 

Life in General

Laughter in Hallowed Places.

Image
Walking through the sea in St. Marks Square.

 

A special month is engraved now in my heart and mind. Every month is special, of course, but the blessings of time in this city have once again charmed and enthralled me.

I leave with so many wonderful memories of time with my daughter and husband, too many to try to share or write down, I wish I could, but those are mine, and you shall make your own.

Venice itself is a priceless museum, a moment in time, evolving and frozen, the people here have exuded their class and enthusiasm like some invisible atmosphere, their love of life and sense of wonder are contagious, and Joseph and I are, as always, infected, saturated with the germs of life and laughter.

I have fabulous pictures, of course, but one thing I will always remember, and the suggestion of which will produce waves of sense memory, are the smells. Yes, sometimes Venice smells of the sea, of tides, of moisture, of mossy damp, but as you walk, ah, as you walk.

We exit our apartment and the warmth of radiated heat interspersed in the moist air of the marble stairwell greets us. We open the huge wooden doors onto the street and the canal and the bakeries with their yeasty love assault us. The wind brings us hints of the sea and the marsh, inviting, secret scents. We cross a stone bridge, listening to the chatter of joy and the calls of greeting and pass a tiny shop in a narrow brick alleyway, where everyday, all day, they bake fresh pizza rustico. This is not the delicious thin version so often served here, but thick, bread-like slabs smeared in sauce and cheeses and every delicious accompaniment you can imagine.

As we pass it we move on to the square, hitting the open avenue where each evening the locals ‘promenade.’ Many a twilight found us seated at a café table with an aperitif in hand, a bowl of salty, crisp and thin, homemade potato chips at our fingertips, watching the ebbing tapestry of life. Children on scooters and rollerblades, friends calling out enthusiastic “Ciao!”s and every version of intense conversation moving or still in the constant flow of people, conversations that take more than just words to participate in, they take punctuation of hands, rolls of eyes, symphonies of syllables and intonation.

And nearby, they serve hot chocolate, not hot chocolate like we do, thin as water, but thick, melted chocolate with fresh cream, dense as snow, laid over the top with a spoon. This is a treat so rich it must be served not on a plate, but in a mug.

And on it goes. The smell of rich sauces cooking on every other corner as the locals prepare their dinners of the richest ingredients bought daily from stalls on the street. Ripe tomatoes, basil grown in pots, never dried, sweet peppers, onions pulled from the earth yesterday, meats from a tiny butcher, who sells only what is best, from cows contentedly grazing only days before.  Preservatives are scoffed at, as is pasteurization or freezing, and the result is not only taste, but health. It was hard, when we visited the cemetery, to find a grave of someone less than 80. I think that should tell us something.

As for the treasures of Venice, the art, the architecture, the city itself, these things are remarkable, irreplaceable, and indelibly printed in our hearts.

But it’s the simple things that I remember the most. So I will leave this city with this story.

We were visiting the Scuola de Rocco. One of the most famous and magnificent buildings here, the entire interior is decorated by gigantic painting by Tintoretto, carved wood walls and seating for the great members of that great Union that are works of art in themselves. On the top floor is a room filled with their religious relicts, goblets, crosses, grails, each of them wrought of gold and silver and priceless jewels. Many of them are so ornate that they required years of an artisans’ life to complete. A guard sits sentry at all times. One of these objects could feed a village for a year, and that doesn’t take into account the artistry and skill of their beauty. 

We were not alone as we walked through this room. A young father was holding his daughter, she was probably between 2 and 3. As they went from stunning treasure to priceless work of art, I heard her childish voice ask, “What’s that Daddy?”

The father was English, and with typical patience and grace, he answered, “That’s the fire extinguisher, darling.”

And the sound of my laughter in the hallowed, hushed room rang out so that the long dead craftsmen must have stirred in their heaven and smiled down at us.

Sometimes, it’s the treasures, and sometimes, it’s the thing you wouldn’t usually notice that you carry with you.

I take home the scents and the weather and the laughter of Venice. If you ask me why I chose to turn down that narrow passageway, with no idea where it would lead me, I will answer you, “Because the wind invited me.”

 

Ciao, Venezia, a la prossima volta.

 

Shari March 18th, 2013.