So, you want to write a book or make a film? Welcome to two of the world’s most popular clubs! We’re so pleased to have you as a member!! Ours is an inclusive club, one where the process means as much as the result. Where the novices are every bit as respected as the ‘successful.’ Are you ready?
Did you know that water represents the subconscious in your dreams, and in this blog, by the way.
If you just want to be famous, well, that’s a different organization. Not much value in the process there. I do not belong. You will pay dues for this club as well, make no mistake, though the monthly newsletter, “Pay Attention to Me!” is unreadable for anyone with creative aspirations. But, I digress.
There are two perspectives on ‘creative success’, at least two. The first is how we define ourselves to others, and the second is what brings us contentment.
So, if you are just starting out in…say filmmaking, you will probably be more focused on the world view of you, being recognized and lauded. Outward gratification. If you’ve been in the business for 30 years, you are more likely in a position to pursue projects that truly mean something to you, you may have more freedom to express your uniquely creative voice and not care as much how the world will perceive it. Inward gratification.
Ironically, perhaps, it is almost always those pure expressions and visions from the inside that strike us as an audience with the most force, and go on to stand as classics or examples of the highest quality.
If you want to make a film, write a novel or a screenplay, produce a play, or any number of other creative projects, what’s the first place to start?
Precisely because you are starting out, the tendency is to look out. What is popular? What will people like? What will make me look good?
Whoa, put on the breaks, screech to halt, back up and let the engine idle for a minute. If it were possible to know any of those things, every single book, film, play, and song would be a smash best-seller.
But they aren’t. Mmm…it’s a mystery.
I’ve said it before and I’ll say it again. All you have to offer is you. The only thing that you can give—that no one else has to offer—is your voice, your vision, your work. Trying to reproduce someone else’s style, art, or visual expression will only create a cheap, and most likely inferior, imitation.
Obvious, right? So, how do you begin? Some of the best advice I ever got when I was first writing was, “Write what you would like to read.” Frankly, I didn’t have the skill to write what I truly loved at first, because I loved some of the very, very best. A good goal, but a difficult place to begin. So. As a warm-up, I chose to write what I loved on a lighter, entertaining level. My first books are designed and written to be fast-paced, exciting, funny, and page-turners with complex characters.
Now, what I want to write is different, I want it be original. I want to get into the brain of my characters and share their lives, thoughts and feelings, their very unique view of the world with you. And I want to do it with language that speaks beyond the definition of the word. I want to write mountains and tantrums and storm clouds and fits of laughter. I want to express the embracing arms of your own bed after a difficult day, the screaming inside when a bully gets away with it, a feather caught in an updraft.
So what is your goal? What do you want to read, see, hear? And more than that, how do you want to say it? I’ve offered exercises for writers, on starting characters, scenes and stories in different blogs, and some of them really work for me. Just scroll through my past blogs and you will find them.
Screenwriting/filmmaking is a different beast by nature of outlay. By that I mean both monetary expense and group participation. You need equipment to make a film, you need a crew, you need to feed that crew, you need to rent expensive editing facilities and experts in color correction, the list goes on and on. And, you may have a very clear vision of the shots you want and how to put them together, but you will still have a director of photography and an editor with brains and visions of their own. To ignore their contributions would be wasteful. Qualifier— though there must, on any film, be someone with final say. Too many cooks…. But be careful, very careful, not to let your ego deprive you of what your team has to offer.
You begin the film process by writing—or finding—a script that resonates somehow for you, something that offers, maybe not a new or unique story, but at least a unique point of view. Next, you interview people until you find the ones who understand your vision and will support and add to it. That’s how you begin the long road of film production. And when you find those people, keep them close, pay them fairly, let them contribute, and give them the credit they deserve. Conversely, if they moan, complain, talk behind your back, or otherwise hamper the overall production, cut them loose—with blessings. Just like in your life.
Both the arts of writing and filmmaking begin with a vision, one that should be your own, not a compilation of other’s people’s ideas. Learn from, borrow suggestions, and practice examples of the greats in your chosen field that you admire, of course!! If it weren’t for Tom Robbins, P.G. Wodehouse, and Jane Austin, I wouldn’t be a writer, because I wouldn’t love books and words so much. But I can’t be them, I can’t write them, I can only admire and gently reflect some of the things I learned from them.
Study your favorite filmmakers, directors, photographers, writers, set designers, and include them all!! Of course.
Then let it go and see what bubbles up. The ideas are there, as is all your attention and research, under the water you’ve peered into so intently, but you need to be above that, walking on the water. You are an amazing creative force, the Great Spirit, (however you define that, Creativity, the Universe, or that somewhat polymorphic entity, ‘God’) made you unique and it is your journey. If you choose a creative life, your path is to unleash your power and your talent. So that we can all revel in it, and thank you for sharing it with us.
It’s all there, just below the surface, trust it, swim in it, and let it hold you up.
Shari, October 20th, 2012.
3 thoughts on “Walking on Water.”
Very inspirational article Shari. I like what you said about film making being a group effort. Don’t let your ego get in the way of what your crew can offer
Thanks! I’ve seen it happen on every level from low budget to huge studio productions. Disagreements happen, of course, but the best sets are run by directors who respect everyone, and I mean everyone on set, and demand and deserve that same respect in return. Good luck with any current and future projects!!
I just need to tell you again how much YOU ROCK! This blog entry was so very fitting for me right now. I absolutely adore the way you encourage and nurture others. I still have that 1st (technically, 2nd) novel/screenplay scrambled in my brain. Probably more like a trilogy. I started but get caught up in flashbacks but do not want to write too linear, nor do I want to overdo and expository passages.
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